In the San Fernando Valley , California , a young woman, Nathalie, is rescued by a mountain rescue helicopter pilot, Ray Gaines, following a small magnitude landslide that caused the fall of his car in a very narrow gorge. A few days later, two seismologists, Professor Lawrence Hays and Dr. Memorable, executed greatly, and visually stunning, it's one of 2012's more interesting films.In California , the San Andreas Fault eventually opens and causes an earthquake of magnitude 9.6 , the largest earthquake in history. Ray Gaines (Dwayne Johnson), a mountain rescue helicopter pilot, and his ex-wife Emma (Carla Gugino) leave Los Angeles for San Francisco in hopes of finding and saving their now unique daughter, Blake (his sister Mallory has died drowned a few years ago). As they embark on this dangerous chaotic journey to the north of the state, thinking that the worst is now behind them, they soon realize that the reality is even more appalling. It is clear in what it wants to say, conveying feelings of mystery, love, and tragedy, and to excellent effect. It feels coherent but not contrived, poetic, but not lost in its own message. The script is smart with its use of narration, sparse dialogue, and scene set up. She is complimented well, though on a different, more grounded level, by the remaining cast, making for very interesting dynamics, especially with her father. The acting is perhaps the most impressive thing about the film, with a powerhouse performance from the young Quvenzhane Wallis, who has an amazing screen presence and expressive posture that anchors the film throughout, with incredibly impacting scenes toward the third act.
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As such, it avoids the trap of being overly self indulgent and indie, while also being quite distinguished and uniquely realized. At that same time, it stays anchored in a literal world. It has a narrative, to be sure, but an unconventional one, not concerned with story so much as message. The film, from it's stylized elements including the script, acting, cinematography, and direction, feels like a poem. Of all the descriptions used for Beasts of the Southern Wild, the most common and true would be that of "poetry on screen". These topics demand emotion and seriousness, not reflective suddenness. How unfortunate that the secondary characters and the situations were not portrayed with the necessary depth, resulting in a running time shorter than required.
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This is no Pantheist perspective rather, Beasts triumphs where the adaptation of Terabithia falls shallow: family bonds, the importance of home and the appreciation of Nature being more important than imagination alone. No crying is allowed in a life of hostilities where strength can be found in our connection with the Universe.
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North Louisiana is the wild environment engulfing the tender, little voice of an adventurous heart destined to be the King of Bathtub. "We are all little pieces of a big, big universe, and that makes things right."
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If one piece busts, even the smallest piece, the entire universe will get busted." "The whole universe depends on everything fitting together just right. "Any day now, fabric of the universe is coming unraveled." "Everything is part of the buffet of the universe."